


“Hive” is both a monument to the missing bees and what Jean Baudrillard might consider “a perversion of reality”. A viewer may initially be attracted to the hive by the buzzing sound it gives off even at a distance (from speakers placed covertly on the inside). A faint light emitting from the hive’s small entrance issues an invitation to cautiously peer inside. Stooping a little bit to see, the viewer may feel slightly anxious that the buzzing, combined with the way the hive blends naturally into the park setting may indicate the presence of actual bees. What the viewer gets instead is an unfaithful copy. A small screen plays a video of the hive’s former occupants while the scent of the hive’s abandoned comb lingers in the air. What remains is a an artist’s attempt to put humpty dumpty back together again; we can see and smell the bees and touch their hive but what we are experiencing is a copy which only serves to highlight their absence.



























